I'm back, after a long absence, with another of my shot-by-shot analyses. This time it's of a sequence from one of my all-time favorite films, Alfred Hitchcock's Shadow of a Doubt. Hitchcock was very painstaking when it came to matters of form, which makes his work especially suitable for exercises of this kind. Here's the link. For those of you who elect to read it, I hope you take away something useful from it.
