With some trepidation, I decided recently to compose what turned out to be a fairly lengthy essay about the 1956 movie
Ordet by Carl Theodor Dreyer. The films of the "Great Dane" have been known to confound even the most sophisticated of critics—hence the trepidation. My humble effort is mainly an attempt to sort out some thoughts I had on spirituality and religion that were sparked both by the film and by a Facebook discussion in which I participated. To read my musings, click
here.
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